Theory of The Differential Diagnosis Assignment Example | Topics and Well Written Essays - 500 words

Theory of The Differential Diagnosis - Assignment Example   The rationale for these diagnoses is that difficulty breathing with exertion explains cardiopulmonary or pulmonary disease. Moreover, pursed-lip breathing is a sign of airflow obstruction. Dyspnea on exertion worsens with the resulting sedentary state. This is present in patients with cardiopulmonary disease. In regard to this case study, the patient has a past medical history of COPD; thus, skeletal muscle atrophy is a common finding and has been related to low-level systemic inflammation and oxidative stress (Nelson, 2015). To further develop the differential diagnosis, a review of systems ought to be conducted. This entails questions that need to be addressed. Such questions include dental changes, occupational exposure to dust and chemicals, excessive salt intake, weight gain, increased cough, fever, and increasing sputum production (Markovchick, Pons, & Bakes, 2011). The final primary diagnosis is COPD. The symptoms include a cough, sputum production, and dyspnea on exertion (Osadnik, McDonald, Jones & Holland, 2012). In this particular case, the patient has a significant cigarette smoking history, thus, the worsening dyspnea. This is because the increase in dyspnea is linked with age (the patient is 70 years), deconditioning, weight gain and concomitant comorbid medical conditions. Further diagnostic workup includes obtaining a spirometry before and after bronchodilator; as the first step. This step will determine any airflow obstruction thus grant patients immediate therapy. Additionally, lung volume ought to be measured, so as to reveal hyperinflation (Buttaro, 2013). Also, thoracic imaging ought to be performed with an MRI, as well as pulse oximetry test and arterial blood gas measurements.

The Image of Jesus by Scorsese and Young Essay Example | Topics and Well Written Essays - 500 words

The Image of Jesus by Scorsese and Young - Essay Example Hence, it would be more plausible to imagine Jesus essentially as man, but possibly endowed with a core of Godhood. This is what films such as "The Last Temptation of Christ" (1988) and Jesus (1999) have done, and very admirably too. The attempts of both Martin Scorsese and Roger Young was basically to resolve the paradox of Jesus' humanity and his divinity. The thing that immediately strikes us about their portrayal of the central character of New Testament is that here is a Jesus we can more easily identify with and relate to. In the Bible, Jesus appears as an "avatar" - as Godhood descended upon earth. Though even in the Bible, Jesus does not perform any earth-shattering miracles, comports himself in a humble manner and often appears frail and vulnerable, but because of the connotations that have accrued over the ages, it is impossible to view the Jesus of Nazareth in the New Testament, even before he becomes Christ, as anything but God walking in our midst. Whereas in these movies, we see a more human side of Jesus, here Jesus is an authentic man searching and gradually ascending his way to Di vinity.

Comparative Paper Essay Example for Free

Comparative Paper Essay The welcome table and country lovers share the same theme but are adversely different in many ways, yet in some they are a lot alike. In this paper I will compare and contrast The Welcome table by Alice Walker and Country lovers by Nadine Gordimer. I will address how they both are written in form, context, and style. I will explain different literary elements the author’s used to give detail about the stories. The two stories being compared and contrasted are similar in that they both are written around the same theme, race, and ethnicity. They are also both written in third person. The two writers Alice Walker and Nadine Gordimer were both expressing stories of racial inequality. They also show the reader that when the story was written it was not allowed to have a white person and black person in a relationship. They also express how unequal it was for a white person compared to a black person. In â€Å"The welcome table† a black woman came up to the steps of a white church and the preacher of that church stopped her at the lobby and said â€Å"Auntie, you know this is not your church† (Clangston 2010).† In the story country lovers Thebedi and Paulus, the main characters, had grown up together and ended up having a sexual relationship. When Paulus finds out Thebedi had a light skinned child he kills it because a white and black relationship is not allowed. He is also ashamed about being in a relationship with her and denies all accusations against him. In country lovers the story is about a white male, Paulus Eysendyck, who is the son of a farmer, and Thebedi one of the black female workers on the farm. The story starts off with them as children playing together along with all the other children, but Paulus and Thebedi were closer than the others. As they grow up Paulus goes to school and brings Thebedi gifts and tells her stories about school. They eventually end up having a sexual relationship and Thebedi ends up pregnant. Paulus is away at school when she finds this information out along with finding out she is getting married to Njabulo a black male who also works for the farmer. Thebedi gets married and has the baby. Njabulo knows that the child is not his because it has straight hair and light colored skin, but still raises him as his own. Paulus returns from school and overhears the in house servants talking about the light skinned child. He then goes out to the living quarters to see it. He finds Thebedi and Njabulo’ s house and secretly kills the child. The author uses imagery, character, and third person point of view (bookrags.com) throughout this story. The author paints a very good picture for the reader by using very graphic details describing everything. She uses character to describe the people in the story. Nadine Gordimer writes the story in third person objective. She only speaks as an outsider looking down on the story unfolding. She does not tell the reader what the characters feel throughout the story. Using imagery she makes a visual image of the characters and setting. â€Å"down there hidden by the mesh of old, ant-eaten trees held in place by vigorous ones, wild asparagus bushing up between the trunks, and here and there prickly-pear cactus sinken-skinned and bristly, like an old man’s face, keeping alive sapless until the next rainy season†. (Country lovers Nadine Gordimer). This is one example of what the reader experiences throughout the story. In The welcome table the main theme is also about racial inequality. This story starts out with an old black lady standing on the stairs of a church. She walks into the church and the preacher says â€Å"Auntie, you know this is not your church?† as if one could choose the wrong one. (Clangston 2010). She just walks past him and sits down in the very back row of the church. All the white people sitting inside near the front starred at her in disbelief. The usher came up to her and told her she needed to leave she just waved him off and told him to go away. The white wives told their husbands to get her out of the church also. They acted quickly and went to her and put an arm under hers to pick her up and carried her out. The author told the reader about the smell the men had on their fingers after carrying her out. It was a musty smell from her under arms. While she was standing on the front steps she looked up the road and saw Jesus. She was excited waving her arms so he did not miss her. She started walking with him and talking to him explaining everything even singing at times. At the end of the story they never saw her again. Many people speculated that she had died walking along the road. Many people though she had family on the other side of the river, but no one knew for sure. The incident was never spoken of in the church again. Alice Walker used third person, character and imagery like Nadine Gordimer did also. Alice Walker used third person omniscient allowing you not just to observe the action, but to see inside the thinking of those involved. She described the main character in great detail. She described here clothing â€Å"the missing buttons down the front of her mildewed black dress.† She described her personal qualities more in depth. She described her eyes, skin, and smell. â€Å"Aged blue-brown eyes†, â€Å"she was angular and lean and the color of poor gray Georgia earth, beaten by king cotton and the extreme weather. Her elbows were wrinkled and thick, the skin ashen but durable, like the bark of old pines.† (Clangston 2010). She also used similes throughout her story. The author did paint a picture using imagery, but this time it was of the main character, not the setting like Nadine Gordimer did. To compare the two stories both authors used imagery, character, third person point of view, and shared the same theme. The theme of both stories is about racial inequality. Both stories involved a black female as main characters. Life in the days these stories were written was not what it is like now. The story The Welcome Table was written in a collection of stories between 1967 and 1973. (Bradley, D). The story Country Lovers was written in 1975 (Custodio, L). This story also won the literary Nobel Prize in 1991. (nobelprize.org). Life in this time was not equal at all. Blacks were looked at as to be less that white people. In most places blacks and whites could not eat in the same areas or use the same drinking fountains and in most cases as we see in The Welcome Table could not even go to the same church. These were called Jim Crow laws. (nps.gov) In Country lovers we see they definitely could not be in a relationship. Both authors used imagery to let the reader see what was going on in the story. They both used describing details. In the welcome table the author describes to use the frigid cold outside and inside the church. She also tells us about the color and texture of her clothing, even describing the greasy hair stain on the bonnet. She also tells the smell of the underarms of the old lady after the men pick her up to remove her from the church. In Country lovers the author also uses imagery to give the reader a visual image of the story. She describes how Njabulo has built his house, making the reader feel as if they were right there looking at it. â€Å"Thebedi appeared, coming slowly from the hut Njabulo had built in white man’s style, with a tin chimney, and a proper window with glass panes set in straight as walls made of unfired bricks would allow.† (Clangston 2010). Along with telling the reader how the hut was built the author also describes the setting down by the dried up creek with great detail. â€Å" It had always been a good spot for children’s games/ down there hidden by the mesh of old, ant-eaten trees held in place by vigorous ones, wild asparagus bushing up between the trunks, and here and there prickly-pear cactus sunken- skinned and bristly, like an old man’s face, keeping alive sapless until the next rainy season.† (Clangston 2010). Both authors used character in their stories. The characters were involved in racial inequality yet neither author said anything about race or inequality in their stories. In The Welcome Table the old black lady tried to attend a white church. Three different times she was told that she did not belong first by the preacher â€Å"Auntie, you know this is not your church?† (Clangston 2010). The second, by the usher, who had never turned anyone away for church, never thought he would ever have to turn anyone away, and also â€Å"whispered that she should leave† (Clangston 2010). The last time was when the white wives told their husbands to remove her and that they did. They picked her up under her arms as set her back outside. In Country Lovers the main character Thebedi is a worker on the Paulus’ family farm. She is a poor black child whose parents had worked on the farm also. In the beginning Thebedi and Paulus along with all the other children played together and it was ok. As they got older and Paulus went to school he brought Thebedi gifts but, none for the other workers and once again that was ok. It’s when they begin their sexual relationship that problems occur. When Thebedi gets pregnant by Paulus she refuses to tell him. It is when the baby is born and Paulus over hears the in-house servants talking about it that it became a problem for him. Paulus immediately goes down to the hut to see the baby for himself and sees that the baby is light skinned, green-eyed, and straight haired. He then becomes ashamed and says â€Å"I feel like killing myself† (Clangston 2010). The authors chose to write in third person point of view, which to the reader, in these stories, lets them see and get a better understanding of what is happening and also lets the reader form their own opinion of the situation. If Nadine Gordimer would have written her story in first person she would have only let the reader see and understand what Thebedi was seeing and feeling. This would have taken the story in a completely different direction. At the same time if Alice Walker would have told the story in first person the story would have been less â€Å"juicy† with details. To contrast the stories, the stories are written in different types of third person, using imagery the authors describe different parts in the story and the stories plots were completely different. In Country lovers the plot was a love story. In The Welcome Table the plot was an old black lady not being allowed in a white person’s church. The type of point of view used in Alice Walker’s story is third person omniscient which allows the reader to see the action but to know the feelings of those involved. She used this to let the reader feel and know what the main character was thinking and feeling, and at the same time still tell what everyone else is doing around her. By writing in this version of third person the story was more informative. Had she written the way Nadine Gordimer wrote her story the reader would not fully understand what the main character was feeling. The point of view in which Nadine Gordimer wrote her story is first person objective. First person objective is â€Å"an external narrator who takes a detached approach to the action and characters, usually to create a dramatic effect, and does not enter into their minds.† (Clangston 2010). By writing this way she made the story more dramatic and kept the audience guessing until the end. If Country lovers were written like The Welcome Table Paulus would not have been as much of an influence in the story as he is now. Using imagery the authors went two completely different ways. One described qualities of the main character and little about the setting the other described the setting at multiple times. Nadine Gordimer wanted the reader to be standing next to the characters, seeing and almost being able to feel the setting throughout the story. Alice Walker on the other hand, wanted the reader to see the qualities of the old lady. She wanted the reader to be able to visualize every wrinkle and weather beaten inch of the old lady’s body. Other items the authors did differently were similes and character names. The only character named in The Welcome Table was Jesus. In country lovers almost every character in the story was named. By doing this the author makes the reader create a picture of the characters and it helps them understand the story line better. The Welcome Table used more similes than Country lovers. Nadine Gordimer wrote the story as if it were unfolding in front of the reader’s eyes. Alice Walker wrote in a past tense type of way. She put different selections of words in to make it seem as if she was there and was telling it to a school class trying to make them think. Both of the literary works are short stories. The way they write involves setting and specific details. They do not use a lot of dialog between characters, which would be indicative of a play. Short stories are close to the being written like a play would. A play is written with multiple characters. They all have multiple lines that describe what the story is supposed to be betraying. There are multiple set or setting changes throughout plays. The setting changes coincide with acts. Acts break up a play into many different parts. They will lead the audience into the next set of events that is about to happen. Inside each act is a scene, multiple scene makes up one act. The way plays are written compared to the way short stories are written are very different yet close in some parts. When a play is written it almost like reading a conversation between the characters with some describing lines to give a setting. Both The welcome table and Country lovers are written in the same form as compared to a play. They both do not use acts or scenes in the stories. With that being said Country Lovers could be turned into a play with the details and characters used throughout it. The lack of dialog and setting details in The Welcome Table would make it very hard to be turned into a play. In Country Lovers the author describes the setting very well. This helps the reader visualize what is happening and what the characters are doing and how they are acting. In this paper I compared and contrasted many different ways of writing between Country Lovers by Nadine Gordimer and The Welcome Table by Alice Walker. Both writers used the same theme, race and inequality. They also used many of the same literary terms. Some of which were the same however most of which were not. They taught us that there is not a specific way every term or type of writing had to be written, there are many different ways to write the same thing. The welcome table and country lovers share the same theme but are adversely different in many ways, yet in some they are a lot alike. Some examples I explained were imagery, point of view, and character. The theme may be the same but Country lovers and The Welcome Table do not share the same plot or story line. Every story paints a picture, yet some paint in different ways. I also described how the forms of the short stories are written compared to a play. Country Lovers was written in great detail of the characters and the setting. The Welcome table on the other hand lacks the qualities and elements that Country Lovers have. Which would make Country lovers much easier to turn into a play compared to The welcome table. References http://leecustodio.hubpages.com/hub/Country-Lovers-an-Analysis Explore  » Books, Literature, and Writing (105,185)  »Books and Novels (16,746) Clangston, R. W. (2010). Journey into literature. San Diego, California: Bridgepoint Education, Inc. https://content.ashford.edu/books Bradley, David (1984). The New York Times. New York Times Company http://www.nytimes.com/books/98/10/04/specials/walker-story.html Nadine Gordimer Nobel Lecture: Writing and Being. Nobelprize.org. 14 Aug 2012 http://www.nobelprize.org/nobel_prizes/literature/laureates/1991/gordimer-lecture.html http://www.nps.gov/malu/forteachers/jim_crow_laws.htm The Welcome Table from BookRags and Gales For Students Series.  ©2005-2006 Thomson Gale, a part of the Thomson Corporation. All rights reserved.

English Romanticism And Its Characteristics

English Romanticism And Its Characteristics Romanticism as a trend in art and literature of England emerged in the 90th of XVIII century. Romanticism in England took shape earlier than in other Western European countries, it had its vivid specificity and individualism. Its most bright representatives were William Blake, William Wordsworth, Samuel Taylor Coleridge, Robert Southey, Thomas Moore, George Gordon Byron, Percy Bysshe Shelley, Walter Scott, John Keats and others, who have left a rich heritage in the literature of England and contributed to the world literature. Romanticism is one of the most controversial trends in European literature, in the literature Romanticism is mostly understood not only as a formal literary trend, but as a certain philosophy, and it is through this philosophy that we try to define Romanticism. One of the features of Romanticism in England was its magnificent lyric poetry, especially lyric poetry, in which the identity of the poet was brightly expressed in whatever he wrote. English poets framed their observations and views in parables, fantastic visions, cosmic symbolism. Sublime things and feelings were understood by them not only as something exclusive, but that could be present in the simplest things, in everyday life. One of the characteristics of romantic literature was a special attention to the spiritual world of man, but, in contrast to the sentimental literature, Romantics were interested not in an ordinary man, but the exceptional man in the exceptional circumstances. Romantic hero is experiencing violent emotions, is striving for perfection, dreams of an ideal. Romantic hero loves and sometimes idealizes the Middle Ages time, pristine nature, in powerful forms of which he sees reflection of his strong and conflicting emotions. When characterizing the relation of romantic writers and poets to the world, it is important to point aspiration to the ideal, human impulses and feelings, the belief that not logic and knowledge but intuition and imagination could reveal all the mysteries of life. But it is aspiration to the ideal, sometimes illusory or unattainable, that lead to rejection of everyday life which did not meet that ideal. Therefore, the romantic heroes had an internal duality, forced to live in two disparate worlds of the ideal and reality, sometimes coming in protest not only against the bone of reality, but also against the divine world order. Here came the so-called romantic irony of a man in relation to an established reality, that the average man took seriously. In general, the idea is often combined with irony, that is the peculiarity of English literature at all stages of its development. English Romantics were especially interested in social problems, as to the modern bourgeois society they opposed the old, pre-bourgeois relations, they glorified nature and simple, natural feelings. Bright representative of English Romanticism is Byron, who, according to critics, clothed in a dull hopeless romanticism and selfishness. His works are full of pathos of struggle and protest against the modern world, glorifying freedom and individualism. Understanding of nature and its image in the works of the Romantics In the late XVIII early XIX century the very understanding of nature has changed. First of all, it was associated with changes in life philosophy and world view of romantics, who then explained all the phenomena from another point of view, different from the medieval and enlightenment views. The change in the philosophy of the world spirit and in understanding of nature had effects on the romantic image of the landscape: Romantics view the world spirit as a basic principle of nature, as weak, vacillating, the least comprehensible and most mysterious part of nature. With this understanding of nature, the image of nature and landscape appeared as dual: the nature itself and also the spirit that filled it and governed it. Some critics argue that the difference of the romantic interpretation of the nature was in the fact that romanticism tried to carry balance of the world of pure ideas with the world of tangible and visible things, eliminating their opposition. (Abrams, 1975) These questions are very important, because the nature of romantic poetry has saved not only the aesthetic value of artistic expression of its philosophy, but also it reflected a truly profound ideas and experiences, great human emotions. It is important to stress the fact that according to Romantics, nature in general and all its parts have specific features of the human soul. Though it is important to say that such personalization and conception of nature as subordinate to the world spirit is very important peculiarity of romantic literature, because it reflects the problem of mans relationship to the world. Thus, the very meaning of nature in the XVIII and XIX centuries was entirely different. What is the something else, something new that distinguishes a romantic view of nature from its premises? Scientific literature emphasizes such characteristics of views and attitudes towards nature in romantic works: the deep romanticism subjectivity, the subjectivity of nature, precise, individual attitude to the subjects of nature; projection of mood of the writer on nature and vice versa; the identification of the sensitive subject with nature; the animation of nature by subjective emotions of the poet; passionate relationship of man to nature. (Moore J, 2010) Subjectivity of nature is a broader concept than the organic view of Romantics on nature, as this concept unites a wide range of romantic poets. In English and in German literature subjectivity of nature is expressed more explicitly than other literatures. Example of words of Byron, who very often expressed his love to nature, points to the fact that the subjective relationship with nature is very important feature of Romanticism. There is a pleasure in the pathless woods, There is a rapture on the lonely shore, There is society, where none intrudes, By the deep sea, and music in its roar: I love not man the less, but Nature more. (Byron G.G., Childe Harolds Pilgrimage) The main aspect in the romantic view on the nature is its subjectivity, the corresponding correlation of the poets mood with the natural world. It is a subjective interpretation of nature that is widely used by Romantic poets, and such features as variety of moral epithets, passion, and association of objects with personal these are the most obvious examples of this poetic temperament. Nature knows, loves, suffers and dreams, like a man, and together with the man. (Moore, 2010) Thus, the Romanticism is characterized by a sense of unity between man and nature, but this is not always expressed in the pantheistic forms, and may be associated with different ideological positions. Moreover, this unity can act in the forms of dualistic split, when nature embodies peace and harmony, and is opposed to sufferings and disharmony of human relationship. Passionate experience of relationship between the hero and nature is inherent to all romantics, though it may be shown differently by different romantic poets. On the one hand, in their writings dominate the image of landscape, which reflects their search for beauty, for picturesque images. On the other, they pay more attention to the state of the human soul and his feelings, and so the image of nature is a projection of the state of the soul, and the poet turns from the descriptions of nature to description of feelings, mixing them and showing relationship between them. Thus, the declaration of the relationship of natu re with the inner world of man is an important practice in works of romantic poets. (Perkins, 1994) It is the hour when from the boughs The nightingales high note is heard; It is the hour when lovers vows Seem sweet in every whispered word; And gentle winds, and waters near, Make music to the lonely ear. Each flower the dews have lightly wet, And in the sky the stars are met, And on the wave is deeper blue, And on the leaf a browner hue, And in the heaven that clear obscure, So softly dark, and darkly pure. Which follows the decline of day, As twilight melts beneath the moon away. (Byron G., Parisina (st. 1) It is important to note that for romantic poets nature was an expression of spiritual life, where they saw the mirror reflection of either their own soul, or the ideal life that constituted the object of their dreams. Therefore, in their works nature is endowed with more deep meaning, than the meaning of words. Animation, humanization of nature in perception, imagination was one of the favorite motifs of poets. In contrast to the dead to society, which kills a living soul in the pursuit of profit, career, power, the nature comes to life, filled with the spiritual life of people. In this case they usually have in mind the wild nature, untouched by man, which gives rest, forgetfulness and peace. Sometimes the opposition of society and nature took the form of an antithesis of town and country, and then under the nature was meant idyllic countryside, dramatically different from a nervous and noisy city. In contrast to the false and empty society, in nature everything is simple, genuine and harmonious. An example of the poetic chanting of nature were the works of lyrical poet John Keats, who wrote on the high themes of love, beauty and art art. In his poem Autumn (1820) Keats went completely from the mythological imagery, creating a picture of autumn the time of a sad farewell to the past before the harsh winter. Landscape in the poem is associated with the image of a simple man a peasant who lives in a perpetual work. Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the mossd cottage-trees, And fill all fruit with ripeness to the coreà ¢Ã¢â€š ¬Ã‚ ¦ (Keats J. To Autumn, in The Norton Anthology of English Literature, 2005) The contradiction between the dream and the reality the romantic poet Keats expressed as a contradiction between the desired ideal of beauty and bourgeois prose. Keatss admiration for the beauty was not, however, fled from life, from the problems of reality. In his poetry, he showed the truth of life, the essence of reality, he poeticized the beauty that was hidden in life under the cover of some ugly things. But when the melancholy fit shall fall Sudden from heaven like a weeping cloud, That fosters the droop-headed flowers all, And hides the green hill in an April shroud; Then glut thy sorrow on a morning rose, Or on the rainbow of the salt sand-wave, Or on the wealth of globà ¨d peonies; Or if thy mistress some rich anger shows, Emprison her soft hand, and let her rave, And feed deep, deep upon her peerless eyes. (Keats J. , Ode on Melancholy, The Norton Anthology of English Literature, 2005 ) Another prominent representative of Romantic literature in England was Lord George Gordon Byron. Byron was committed to the educational ideals and aesthetics of classicism, but he was a romantic poet. In his work the recognition of the classic rigor and clarity was combined with the image of the complex and ambiguous feelings, painted in a gloomy mood, but also with irony. The moon is up, and yet it is not night; Sunset divides the sky with her; a sea Of glory streams along the Alpine height Of blue Friulis mountains; Heaven is free From clouds, but of all colours seems to be. (Byron G. Childe Harolds Pilgrimage, A Romaunt, Canto IV, XXVII) In the romantic poems we see the strong desire to image bright and sharp contrasts , also in the image of nature. Romantics often sought to portray a violent nature, and Byron seemed liked the the presence of danger, a storm for him was a symbol of the great, though often fatal passions. Roll on, thou deep and dark blue ocean-roll! Ten thousand fleets sweep over thee in vain; Man marks the earth with ruin-his control Stops with the shore;-upon the watery plain The wrecks are all thy deed, nor doth remainà ¢Ã¢â€š ¬Ã‚ ¦ (Byron G. Childe Harolds Pilgrimage, Canto II, CLXXIX) Aspiration to an ideal and admiration of the perfect beauty of the nature can be found in the beautiful poems of Percy Shelley. The character of pictures of nature by Shelley organically derives from his philosophical views, based on the knowledge of the history of philosophy from ancient times, from truly encyclopedic knowledge. Shelley sometimes animates the nature, gives it consciousness and characteristics of highest creation he signs a hymn to the Spirit of Nature, by declaring the entire Universe as its temple. The influence of the materialist: it were ideas of Enlightenment and the Renaissance that played a decisive role in the evolution of philosophical views of Shelley. In Ode to the West Wind (1819) the symbolic image of the West Wind is the idea of renewal of life: the west wind destroys everything old in its path and helps to create new. The lyrical hero-champion is one with the mighty power of the West Wind. O wild West Wind, thou breath of Autumns being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic redà ¢Ã¢â€š ¬Ã‚ ¦ à ¢Ã¢â€š ¬Ã‚ ¦ Wild Spirit, which art moving everywhere; Destroyer and Preserver; hear, O hear! (Shelley P.B., Ode To The West Wind, I) Shelley shows the magic power of the wind magically, describing its role as destroyer and preserver, by powerful natural metaphors the poet expresses his ideas about the power and great effect of the nature. Thus, we can see that the Romantic poets often showed the nature as free, powerful and beautiful world that is different from the human. Especially romantic poets liked to portray the sea in this sense, its boundless scope and majestic power, the wind, which has unlimited power and freedom, and the mountains with their grandeur and sublime beauty. In this case, the freedom and the power of natural elements have a figurative meaning, associated with free and powerful human spirit. Conclusion Romanticism is characterized by a sense of unity between man and nature. Consequently, the most importantly in the romantic views of nature is subjectivity, the corresponding correlation of the poets mood with the natural world. The romantic perception of nature is not just individual attitude of the subject to the outside world, but the nature helps to express the attitude of individual to the social conditions of his existence. In the perception and evaluation of the nature is expressed the relationship of the individual to the public life, to the meaning of human existence.